British MPs seldom discuss aesthetics. Budgets, healthcare, international relations. Yet in May 2025, the glow of signage took centre stage. Labour’s Yasmin Qureshi, delivered a striking intervention. Her message was clear: authentic neon is cultural heritage. She warned against plastic imitations, arguing they dilute the name neon. Only gas-filled tubes deserve the title. Chris McDonald, MP for Stockton North, sharing his own commissioning of neon art in Teesside.

The benches responded warmly. Numbers framed the urgency. From hundreds, the number has fallen to a few dozen. No new entrants are learning. Without action, the tradition could vanish. The Commons considered safeguarding, like Cornish pasties. Preserve authenticity. Even the DUP weighed in, pointing to industry growth. Neon remains a growth sector. His point: heritage and commerce can co-exist. The final word fell to Chris Bryant. He teased the chamber with jokes, lightening the mood.

Yet beneath the levity, he acknowledged the case. He listed Britain’s neon landmarks: Tracey Emin’s installations. He emphasised longevity. Why the debate? The issue is clarity. LED products are marketed as neon. That erodes trust. A question of honest labelling. If Harris Tweed must be Hebridean, then craft deserves recognition. This was about culture. Do we trade individuality for convenience? At Smithers, the stance is firm: real neon matters. The Commons was illuminated.

The protection remains a proposal. But the case is stronger than ever. If Parliament can value neon, so should you. Look past cheap imitations. Keep the glow alive.

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