When Neon Crashed the Airwaves Strange but true: while Europe braced for Hitler’s advance, MPs in Westminster were arguing about neon signs. the outspoken Mr. Gallacher, rose to challenge the government. Were neon installations scrambling the airwaves? The answer was astonishing for the time: roughly one thousand cases logged in a single year. Think about it: ordinary families huddled around a crackling set, desperate for dance music or speeches from the King, only to hear static and buzzing from the local cinema’s neon sign.
Major Tryon confessed the problem was real. The difficulty?: there was no law compelling interference suppression. He said legislation was being explored, but admitted consultations would take "some time". Translation? Parliament was stalling. Gallacher shot back. He pushed for urgency: speed it up, Minister, people want results. From the backbenches came another jab. If neon was a culprit, weren’t cables buzzing across the land just as guilty? The Minister squirmed, basically admitting the whole electrical age was interfering with itself.
--- From today’s vantage, it feels rich with irony. In 1939 neon was the villain of the airwaves. Jump ahead eight decades and the roles have flipped: the once-feared glow is now the heritage art form begging for protection. --- So what’s the takeaway? Neon has always been political, cultural, disruptive. It’s always pitted artisans against technology. In 1939 it was seen as dangerous noise. --- The Smithers View. When we look at that 1939 Hansard record, we don’t just see dusty MPs moaning about static.
So, yes, old is gold. And it still does. --- Don’t settle for plastic impostors. Glass and gas are the original and the best. If neon could jam the nation’s radios in 1939, it can sure as hell light your lounge, office, or storefront in 2025. Choose glow. Smithers has it. ---
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