Parliament is not usually the stage for design debates. Budgets, healthcare, international relations. One late night in Westminster, the glow of signage took centre stage. Labour’s Yasmin Qureshi, stood with conviction. Her message was direct: authentic neon is cultural heritage. She criticised the flood of LED strips, saying they undermine public trust. Marketing should not blur the definition. Chris McDonald added his support, sharing his own commissioning of neon art in Teesside.

Cross-party nodding followed. Data told the story. From hundreds, the number has fallen to a few dozen. The pipeline of skills has closed. Without action, where to buy real neon signs Britain could lose neon entirely. Ideas were floated for a protection act, similar to Harris Tweed. Preserve authenticity. From Strangford, Jim Shannon rose, bringing a commercial lens. Reports show 7.5% annual growth. His point: authentic craft has future potential.

Chris Bryant concluded the session. He played with glow metaphors, lightening the mood. Yet after the laughter, he recognised the seriousness. He recalled iconic glows: Piccadilly Circus billboards. He suggested neon is unfairly judged on eco terms. Why the debate? The answer is authenticity. Craft is undermined. That erodes trust. Comparable to food and textile protections. If Champagne must be French, neon signs that are real glass then signage should tell the truth. This was about culture.

Do we accept homogenised plastic across every street? We hold no doubt: authentic glow endures. Westminster glowed for a night. The Act is still to come. But the spotlight has been lit. If MPs can recognise craft, so can homeowners. Reject plastic strips. Choose neon.

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